Truth Table, Williamsburg, New York 2000
Sh, Williamsburg, New York 2001
True Facade, Williamsburg, Brooklyn 2001
See-through Circuit, Mexico City, Mexico 2001
Various Eyes, Mexico City, Mexico 2001
Dried Eyes, Mexico City, Mexico 2001
Against the Grid, Mexico City, Mexico 2001
Advance Guard, Williamsburg, Brooklyn 2001
A Nice Catch, Williamsburg, Brooklyn 2000
Relative Path, Williamsburg, Brooklyn 2001
All Wrapped Up in It, Williamsburg, Brooklyn 2001
Enter the Transparent Woman, Williamsburg, Brooklyn 2001
Moment of Impact, Williamsburg, Brooklyn 2001
Cage, Williamsburg, Brooklyn 2001
The Red Wedge Beats the White Square, Williamsburg, Brooklyn 200
From Point and Line to Plane, Williamsburg, Brooklyn 2001
Equivalent To, Williamsburg, Brooklyn 2001
Please Paul, Arizona 2001
A Pleasing Pillow, Huntington Station, New York 2001
Bed, Portland, Maine 2001
Mimesis, Arizona 2001
Mimesis, Independence, Virginia 2001
Painting Culture, Portland, Maine 2001
Slice of Life Photo, Williamsburg, Brooklyn 2001
In Under the Deadline, Williamsburg, Brooklyn 2001
Broken Mimesis, Bainbridge, New York 2001
Almost There, Greenpoint, Brooklyn 2001
Another Man’s Sac LP, Greenpoint, Brooklyn 2002
Photography as an Art Form, Portland, Maine 2001
Hole, New Mexico 2000
A Hole (Hope), New Mexico 2000
The Kiss (This June), Jamaica, New York 2006
Coming This June, Jamaica, New York 2006
The Kiss (Penfigo), Mexico City, Mexico 2001
Black Hole, Portland, Maine 2001
Pop, Madrid, Spain 2006
Caught Looking, Queens, New York 2001
How I See You, Bainbridge, New York 2001
∞, New Mexico 2003
Ideologies (Le pathétique) (2000–2006)
I’ve always felt a special warmth in my heart, or a searing or scarring, a love, for the abject. I have a kind of love for the neglected, the sickly trace of a human intention, the edges of the adjacent other, the drawings of an often quiet collision of nature and order, or of orders, and see in each of these moments its own ideology.